Meet Our Team

Jannat Hussain

Editor in Chief

Jannat Hussain is an undergrad exploring Psychology and French, with a firm conviction that stories have the power to transform lives. As an author and dedicated literature enthusiast, she's weaving her own path around the magic of narratives. Right now, she's channeling that passion into launching a startup that explores how stories mold our deepest interests, sense of self, and communal bonds. Her writing often delves into themes of alienation and absurdism, alongside those lesser-explored corners of the human experience—fueled by her unquenchable thirst for debate. Fresh off the press with her debut novel, Jannat also pens thoughtful pieces for various outlets. You're likely to catch her juggling more commitments than any sane person should, fueling up on endless cups of ginger tea, or losing herself in the synergy of The Strokes.

Recommends: The reader- Stephen Daldry, Convenience store woman- Sayaka Murata, Nocturnal Animals, MBKD- Ali A.Zafar

Kritika Srivastava

Creative Director

An artist, reader, and deep thinker, Kritika loves to explore the "what ifs" of life, often losing herself in thoughts and stories that blur the line between reality and imagination. Her art is inspired by mysticism and the unknown, reflecting her fascination with the unseen and the unexplored. A natural escapist, she finds solace in her music and books—especially those that delve into spirituality, psychology, and the supernatural. Alongside her creative pursuits, Kritika is also a tarot reader, channeling her intuition and inner world through her practice.

Recommends: Kafka on the Shore, No longer human, The long goodbye

Niyati Mehrotra

PR Head

Niyati Mehrotra is a dynamic professional with a multifaceted background in marketing, content writing, and data analysis. Currently working as a Data Analyst at a multinational corporation, she blends analytical precision with creative storytelling—a rare mix that sets her apart in both the corporate and creative spheres. As the PR Head for this magazine, she focuses on amplifying its reach, fostering collaborations, and creating a platform that captures diverse voices and perspectives. Driven by her passion for writing, media, and community building, Niyati aims to transform the magazine into a space that not only informs but inspires—uniting readers through stories that matter. When she’s not buried in data sheets or drafting content, she’s likely brainstorming her next campaign idea or debating whether coffee counts as a meal (it does).

Kamini Pandey

Content Curator

Sometimes a writer, mostly just someone trying to survive the weight of being human. Most of what she writes starts as broken sentences, half thoughts that won't leave her alone. She isn't chasing perfection. Her words stumble. They ache. Like trying to remember a dream that disappears the moment you name it. She zones out into moments that feel suspended. Finds traces of meaning where others find scrap. Sometimes she writes nothing at all. Sometimes she wonders if anyone would notice if it all vanished. She has nothing finished to show for now. And maybe that's exactly the point. And maybe that's all, her writing wants to stay with even when you thought you'd already left.

Recommends: Jean Rhys’s Good Morning, Midnight

Shabeeh Zehra

Managing Editor

Analysing portrayals of mental illness and female rage in literature. Her own work centers on examining taboos and horror in fiction, examining how they mirror broader cultural anxieties. She draws inspiration from confessional poets and from the intersections of literature and psychology. One of her more obscure interests is fictional houses, which she sees as extensions of the characters' minds; she also swears by black coffee and Sylvia Plath for curing writer's block. Her current project is a nonfiction work compiling cultural and historical studies of taboo subjects, including serial killers, mass hysteria, cults, and dictators.

Recommends: Ottessa Moshfegh’s My Year of Rest and Relaxation

Riddhima Sharma

Advisor

Riddhima Sharma, our Advisory Head, is a second-year economics student who’s all about bringing order to the chaos and lifting others up. She’s got this uncanny ability to read between the lines—whether it’s spotting a team’s stress or nailing the perfect fix for a project gone sideways. Her passion for economics isn’t just about numbers; she’s all in for ideas that put people first, from mentoring freshmen to diving into sustainable development that actually means something. She finds inspiration in Midnight Sun, a heartfelt movie about a girl living boldly despite her limits, which fuels Riddhima’s push for our writers to take risks with their stories. The team leans on her warm, whip-smart guidance to keep our quirky, bold vision on track.

Recommends: If we could go back, Rain

Arya Shukla

Creative Supervisor

She swears she’s not addicted to Canva, but her reels and designs might say otherwise. What began as a childhood dream of building a design and animation company came alive during her B.Com years, when she realized the corporate routine wasn’t her story to tell. Since then, she’s been shaping ideas into visuals, words, and strategies that feel alive and unforgettable. Her work carries the pulse of raw emotions, untamed skies, and stories that never sit still. With over a million views on her Instagram page tangled_taless, Arya creates content that doesn’t just get seen- it lingers. And though her creations shine bright on the surface, they often carry whispers of darkness- the kind that stays with you long after the page is turned.

Recommends: Emily Bronte’s ,Wuthering Heights

Tanya Trivedi

Head of Design

Tanya Trivedi is a graphic designer who loves creating visuals that don't just look good—they make people feel something. She's in her second year of B.A. at Isabella Thoburn College, Lucknow, and has been drawn to design ever since she realized how a single color or line can completely shift a mood. Her work is all about intention—turning simple ideas into visuals that stick, spark curiosity, or hit harder than expected. Tanya thrives on noticing the small details, bending the rules in her favor, and treating design like a game she's determined to win. She used to design for We4Change, her college society, and contributes to social initiatives like Pehchan The Street School. She also supports Irada, an NGO, using design to create real impact and bring meaningful ideas to life.

Recommends: Modern Family

Arshaan Ali

Marketing Head

Syed Arshaan Ali is the Business Development Manager at Obsession – An Entrance Hub and is currently pursuing a B.Com from the University of Lucknow. At his university, he also leads a department for Sanskritiki’s debate club, where his natural strength in persuasion and effortless communication shines through. Driven by the belief that every individual carries a glorious purpose of their own, Arshaan strives to uncover that potential in the people he meets. He places discipline at the core of his identity, seeing it as the pillar that fuels his work and ambitions. Though often described as someone who walks with a chip on his shoulder, Arshaan insists he’s approachable—so if you spot him, say hello, and he promises he’ll be nice (hopefully). Never one to stay idle, Arshaan is actively involved in many pursuits at once. Among his notable achievements, he has personally spoken to nearly 30,000 people over the past eight months, closing over 5,000 of them.

Recommends: Christopher Nolan’s Oppenheimer

Sidra Noor

Coordinator

Examining narratives at the crossroads of gender, identity, and literature. Her work revolves around theorizing the facets of everyday life into broader themes of culture and society. She draws inspiration from the African American author– Audre Lorde, whose writing, forged through unimaginable hardships and systemic marginalization, articulated powerful critiques of race, gender, sexuality, and power. She has been reading feminist and subaltern literature ever since she was 15, which makes her very annoying at parties and has given her even worse eyesight. She is analyzing Osamu Dazai's No Longer Human, focusing on how the novel frames decay not as physical collapse but as the gradual disintegration of the self. Her work examines the tension between masks of identity and the alienation and emptiness they conceal.

Recommends: Audre Lord, Crying in H Mart by Michelle Zauner

Hannah Maria Jess

Head Journalist

Hannah Maria Jess is an Economics major and a writer exploring the duality of data and words, binding solitude and connection. Her work often balances her realist mind with her dreamer heart. Writing is her solace — detangling the knots of tension in her daily life while helping her make sense of the peculiarities she observes in people, places, and patterns. Inspired equally by music, films, and fleeting moments. She measures her mood in playlists and seasons in cinema — meaning she always has a song ready for every situation. Pretending Google Docs is a personality test and believing headphones, Spotify, and a messy diary full of odd metaphors are her true essentials. Currently, pursuing Economics while deeply engaged in literature Hannah serves as the editor-in-chief of the college magazine. She is developing her craft by publishing her works in several chronicles. Moreover, she enjoys publicly speaking - an extension of her childhood love for being on stage.

Recommends: Vilette and the Namesake, Lady Bird